set gChapters =  ["INTRO", "LIFE", "WORK", "POP ART"]
set gArticles =  [["Partwork"], ["pic", "pic", "cutting", "cutting", "cutting", "pic"], ["pic", "movie", "pic", "cutting", "pic"], ["partwork", "pic", "cutting", "partwork", "cutting", "cutting"]]
set gDates =  [[], [0, 0, "The Times, June 5, 1968", "The Times, Feb 16, 1971", "Sunday Times, April 20, 1980"], [0, 0, 0, "The Times, Jan 15, 1970"], [" ", 0, "The Times, May 16, 1970", " ", "The Times, Feb 21, 1971", "The Times, May 19, 1994"]]
set gName = getat(["Warhol"],1)
@[]##CHARGE AFTER WOUNDING OF 'POP KING'#MR WARHOL SHY, NIAVE, 'KEEPS BUSY'#A LIFE IN THE DAY OF ANDY WARHOL@[]###HOLLYWOOD WARHOL@[]##RECORD £25,000 FOR SOUP CAN PAINTING##THE WARHOL IMAGE#AN ARTIST'S LAST LIFE
Robert Rauschenberg said: "A good Warhol may not be a Warhol. A bad one can't exist. He befuddles critical history. Whether he sacrificed this or didn't give a damn doesn't make a damn. His impact on our lives remains explosive."#Parties at The Factory were a mix of nobodies, stars and wannabes. Guests included Tennessee Williams, Rudolf Nureyev, Judy Garland, Bob Dylan, as well as a crowd of drag queens and drug addicts#Soon after he arrived in New York in 1949, Warhol bombarded writer Truman Capote with fan letters and waited outside his apartment block. Capote remembered him as a "hopeless, born loser, the loneliest, most friendless person I'd ever seen in my life."#Andy Warhol published several books including: "From A to B & Back Again: The Philosophy of Andy Warhol" (1975), "Andy Warhol's Exposures" (1979) and "POPism" (1980)#In January 1970 British police seized Andy Warhol's film "Flesh" because of its "pornographic" content. In New York, the film company offered free entry to the film for anyone with a British passport#"Factory is as good a name as any," said Warhol, speaking of his workshop. "In my art work, hand painting would take much too long and anyway that's not the age we live in. Mechanical means are today and using them I can get art to more people."#"I didn't intend to kill him," said Valeria Solanas after shooting Warhol: "I just wanted him to pay attention to me. Talking to him was like talking to a chair."#In 1978 Warhol helped make a star of Debbie Harry and her group, Blondie, with cover stories in his "Interview" magazine, portraits and appearances on his cable TV show